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Coleen Kwan

Fun, flirty romance from sweet to spicy

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It's my great pleasure to feature fellow writer Rachael Johns' debut release 'One Perfect Night' on my blog. Her book releases today, and to celebrate I'm posting an extract here.



“Don’t look now, but Mr. McSexy just entered the building.”

“Blast.” Peppa Grant spun round and did exactly what her best friend and colleague Izzy had ordered her not to. Her breathing faltered at the sight of six foot plus of unadulterated male who now towered at the entrance to the company’s function room. An anxious hush fell over the previously buzzing room. As all eyes snapped to him, she tried not to quake in her costume’s fairy shoes.

Until half an hour ago, Cameron McCormac had meant nothing more to Peppa than the new name at the very top of the office food chain. Now he was the man who owned the car she’d sideswiped in the car park tonight.

The dangerously handsome man who was making her pulse spike simply by standing in the doorway. “Oh, God.”

As Peppa pushed her barely touched glass out of reach and let her head fall onto the table in front of her, Izzy giggled.

“It’s. Not. Funny,” Peppa declared when she finally looked up. Her eyes sought the company’s new CEO again and she felt her heart collapse into her stomach.

“You’re right,” Izzy said, reaching out and stroking Peppa’s hair like a mother over a sick child.

“If I’d just put a prize-winning dent in the big boss’s red, convertible pride and joy, I’d probably be at Sydney airport boarding a plane or planning to hitch a ride with Santa back to the North Pole.”

“Hilarious.” Peppa shot her friend a sarcastic smile. “Please tell me McSexy has just vanished up a chimney?”

Izzy took a sip of her chocolate mocktail, her sea-blue eyes sparking with laughter as she peered theatrically over Peppa’s head. “No can do. Looks like he’s doing the rounds, handing out candy canes or something to all the children. Molly must have put him up to it.”

Molly, although old enough to be his mother, was Mr. McCormac’s personal assistant. Rumor had it when he did anything remotely human, she’d put him up to it. She’d been with the company longer than anyone and was the brains behind this event, the annual Christmas party for children of Lyrique Recordings’ employees. Peppa had a fleeting fantasy of leaving a message with Molly about her little misdemeanor in the car park but that wouldn’t be right. And she hadn’t been brought up to take the easy option.

“I’ll do it now,” she said, resting a hand on her queasy belly as she pushed herself off the stool and onto quaky feet. Although whether her shakiness was from trepidation or her gorgeous boss’s sexy gait and air-of-confidence, she couldn’t be sure. “Confess before I’m due on stage and then, if he has any sympathetic bones in his body, he’ll let me entertain the kids before the crucifixion.”

“You’re such a drama queen,” sighed Izzy. “The top job pays well. He has enough money to line his undies drawer in gold. You apologize. You give him the details of your insurance company. You get on with your life. Simple.”

Simple. Right. But Izzy didn’t know that Peppa had just switched to a budget insurance provider. As she had never needed to claim in seven years of driving, the switch had seemed a good decision at the time. The upside was low monthly rates. The downside? A mammoth deductible on claims.

Well, that faux-pas may not only have cost Peppa her car and her job, but paying back the damage to the boss’s vintage Lamborghini would seriously endanger her ability to pay her mortgage. Not to mention she’d have to put her plans for an overseas holiday on hold—a holiday that had been all about helping her mind and emotions recover from the battering of the past few months.

“I think he’s looking at you.”

Izzy’s words broke Peppa’s reverie. And of course she looked up, across the room, only to find her gaze colliding with the Head Honcho himself. Her heart hitched a beat. Despite the distance she could see the roguish tilt of his lips, the slight frown of his distinguished black brows and that his devilish licorice eyes were trained on her. Dark-chocolate hair, speckled with naturally sun-kissed spikes, framed a face so chiseled it could have been carved from stone. A man so in-control of his world he had no reason to question it. Heat flooded her cheeks and, not wanting to draw unnecessary attention, Peppa forced herself to break her gaze.


If you’ve enjoyed this excerpt, you can read the first chapter of ONE PERFECT NIGHT at Rachael’s website.
Or you can buy it at Amazon or Carina Press.

And to celebrate her debut release, Rachael is blogging today at the following places, giving away a copy of ONE PERFECT NIGHT at each spot:
  • Get Lost in a Story
  • Chick-lit Central
  • Novel Thoughts

AUTHOR BIO

Rachael Johns is an English teacher by trade, a mum 24/7, a chronic arachnophobic, a supermarket owner by day and a writer by night. She rarely sleeps. Rachael received The Call from Angela James telling her Carina wanted to publish her book on April Fools Day and, when she told her friends, half of them wondered if it was a big joke. Luckily it wasn’t. As an active member of Romance Writers of Australia, Rachael has finaled and placed in a number of romance writing contests. Each success is uplifting and publication is her dream but even if none of this happened, she’d still write. It’s a much better option than ironing, which she refuses to partake in. Ever.
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The aim of the Australian Women Writers Challenge 2012 is to promote the reading and reviewing of Australian women writers in a wide range of genres. To find out more and sign up for the challenge click on this picture:

It's a fantastic initiative, and I'm about to sign up. I aim to be a 'Miles dabbler'. Some of the authors I hope to read are Jenny Schwartz, Rachael Johns, Shannon Curtis, Sarah Mayberry, Liane Moriarty, and others.
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It's that time of the year when a school concert or two is unavoidable. Watching young children and teenagers perform always fills me with admiration as it's something I'd find excruciating! I've noticed that the performers who grab my attention aren't necessarily the ones with the most skill, but the ones who perform with the most enthusiasm. When someone is playing or dancing their heart out and with such obvious enjoyment, it's hard not to cheer them on. Reminds me of that quote from 'The Importance of Being Earnest':

"I don't play accurately - anyone can play accurately - but I play with wonderful expression."

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183_3910  Metrosideros excelsa  Pohutakawa  NZ Christmas Tree  Myrtaceae
Photo by Kate
This past week I've been buried deep BICHOK writing my sequel to Asher's Invention. Initially I thought I would take a bit of time nutting out the plot and doing research, but then with school holidays looming I decided to become a bit of a pantser and just go for it. Hopefully I'll have a rough draft done before Christmas hits.

Luckily most of the Christmas shopping has been done. Shopping on the internet makes things so much easier! As usual I think my kids are spoiled rotten with all the stuff they're getting. My 12yo son is getting a smartphone which is about a hundred times better than my cheapo mobile. The voice recognition software on this phone is quite amazing, which won't help him with his spelling much. My 15yo daughter wants a whole lot of books for Christmas. She loves her paper books and won't even consider an ereader (and as she's a notorious hoarder, the books just pile up in her room).

I'm making a list of books that I want for Christmas. The list gets longer every day...
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A few weeks ago I did a guest post on the Novel Thoughts blog about music and how the right song can set the mood for a scene. I mentioned the song I thought of when I was writing a romantic scene for When Harriet Came Home — Melody Gardot’s ‘Our Love Is Easy’. It’s a beautiful song, even if you’re not a jazz fan (and I’m definitely not). Anyway, one of the commentators mentioned she loved the song so much she went and bought it! She probably didn’t buy my book, but I’m happy to sell a song for Melody Gardot ☺

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There are only four more weeks left of the school year before the kids break for Christmas and summer holidays, and I’m feeling just a teeny bit teary because these are the final few weeks of my son’s primary schooling. Next year he moves up to high school and a whole new life. My daughter is already in high school, but when she started we all felt excited about a new chapter starting. Now, with my son, it feels like a chapter is closing. Already he’s drawing away from me and his dad. At the moment he tolerates us walking him to school (where he quickly ditches us with a very nonchalant goodbye), but when he starts high school next year he won’t want us anywhere near him!

So I only have a few more weeks of walking him to school and waving him goodbye at the gates. I’ll miss that part. Wish I could say goodbye to making packed lunches, though! Seems like I’ll be cutting sandwiches for my kids until they leave home, and even though I give them pretty much the same boring fillings every day it doesn’t appear to motivate them to make their own lunches. Oh well, at least they still need me for something ☺
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When I first started writing seriously, I could just about write a complete 50K story, but every chapter was a struggle. The thought of writing 80K or 100K was as daunting as Mount Everest, but slowly I managed to edge up my upper limit. The last story I finished was over 70K, and it didn’t feel too strenuous. At last, I thought I was achieving writing fitness.

 But now I’m working on a short novella. It’s to be part of an anthology, so I don’t want it to be more than 10-12K. And now I’m finding it’s a lot harder to write less. I’ve written the beginning about four times and it’s still not right. With only 10K to play with, every sentence becomes important. It’s like putting together a very complicated jigsaw. I’m finding I need to cut out some of the action because the external conflict threatens to overwhelm the internal conflict, and without internal conflict there’s no meat to the story.

This is my second steampunk story, and when the writing isn’t flowing, it’s easy to get distracted by all the cool steampunk things on the internet, like this:

Artist and X-Men fan, Daniel Valdez of Smeeon, created a steampunk wheelchair for the character Professor Charles Xavier.

Steampunk Professor X 03



The smokestack even emits steam!

Steampunk Professor X 04

A steampunk wheelchair worthy of any dastardly villain.

Photos courtesy of Smeeon.
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Marketing For Romance Writers is hosting a free two hour workshop on Monday 14 Nov.

Learn how to create a signature for your promos and emails that brings you readers, and helps generate sales. This two-hour course is taught by Mary from the publisher Jupiter Gardens.

Class will be held on the group. No fees. No sign up. To attend, simply show up and be ready to learn. 

You may submit your signature for critique by the teacher and class participants. Find out how effective your signature truly is. 

To attend you need to be a member of MFRW Yahoo group. Join here.
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Today I'm a guest on Kylie Griffin's blog.
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Today I'm over at Ramblings of a Romance Writing Mama talking about craft books.
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Today I'm guest blogging at Long and Short Reviews talking about the setting of When Harriet Came Home.
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It's been a long wait for me, but WHEN HARRIET CAME HOME is finally on sale! I'm stoked.
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I can finally announce that I've made my second sale to Carina Press with my steampunk romance, tentatively titled Asher's Invention! I'm a little nervous, as this is my first steampunk story, and I've only recently started reading the genre. At least I'll have my fabulous editor Denise to help me along the way.
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If the thought of marketing your book sends chills up your spine (and I don't mean the good kind), then the Marketing For Romance Writers group may be for you. I heard about them from an authors' loop and since I knew zilch about marketing thought it wouldn't hurt to join. This yahoo group shares advice on marketing, promotion, career building, branding, etc. Only marketing-related posts are allowed, so you don't get spammed with promos!

Join their Yahoo group here or visit their Marketing Blog or Authors Blog.



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Ever since WHEN HARRIET CAME HOME went onto NetGalley I've been anxiously hoping for some not-too-brutal reviews. (In fact, I'd be happy with any reviews, seeing I'm a complete noob.)

So I was more than happy when I found a five-star review from Naughty Cougar Tales this morning! Is it okay to say I'm grinning from ear to ear?
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I've recently finished the following books: Heartless (paranormal/steampunk), Evolution Expects (steampunk), and DoubleBlind (sci-fic), and I'm feeling more than a little exhausted. Especially in DoubleBlind the pace was unrelenting. I could have done with a few quieter moments in there. Which is why I'm looking forward to diving back into contemporary romance, where the heroine isn't constantly under attack from vampires or alien monsters, and the sewers of London aren't inhabited by killing robots. The tension in contemporary romance comes ultimately from the emotional risks the characters faces, and that's what really resonates with me. A good contemporary romance is the ultimate comfort food.

Speaking of contemporary romance, WHEN HARRIET CAME HOME is now on pre-sale at most ebook stores, and I'm getting nervous!
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I've just returned from a few days in the bush. Five days without internet access was a real break. I got to read a few books and eat way too much.
There're lots of cows in this part of the bush. Cows are funny animals. They're curious and also skittish, and they can make a lot of noise.

The Australian bush is also full of poo - rabbit, wombat, kangaroo, sheep. We had a young dog in our group and every time we took her out for a walk she'd go straight for the poo and gobble it up like chocolate - eewww! I did not know this about dogs!
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A dry stone wall at Hollybank
Flickr
I came across this NanoWriMo pep talk by Neil Gaiman. I loved his analogy of writing as building a dry stone wall.

“A dry-stone wall is a lovely thing when you see it bordering a field in the middle of nowhere but becomes more impressive when you realise that it was built without mortar, that the builder needed to choose each interlocking stone and fit it in. Writing is like building a wall. It's a continual search for the word that will fit in the text, in your mind, on the page. Plot and character and metaphor and style, all these become secondary to the words. The wall-builder erects her wall one rock at a time until she reaches the far end of the field. If she doesn't build it it won't be there. So she looks down at her pile of rocks, picks the one that looks like it will best suit her purpose, and puts it in.

The search for the word gets no easier but nobody else is going to write your novel for you.”
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So, I'm trying to improve my marketing skills. I joined Facebook and a bunch of Yahoo groups. Suddenly my inbox was flooded with emails. I found myself scrambling to keep up with them. I wasn't getting any writing done, and I really wanted to get started on my new story.

Eventually I decided I wouldn't check my inbox until I'd got my day's writing done first. It's been working pretty well. Beginning a new story is always an exciting nerve-wracking time. I have to learn about my characters and the paths they choose to take. It's a time of writing, reading, listening. And it can't be done with twenty emails breathing down my neck whispering "Read me". So I'm glad I've turned the noise down.
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For the past few weeks I’ve been deep in revisions, and sometimes it feels like it’s never going to end. When I’m writing a first draft I’m in love with my story, my characters, everything. But when I start revising it, suddenly there are so many things to hate. Revision requires putting on that critical pair of spectacles, and sometimes it’s hard to take them off and re-discover the things I loved about my story in the first place.

I’ve been reading James Scott Bell’s Revision & Self-Editing book, and it has some useful tips. One of these was to emulate the prolific writer Isaac Asimov who had several typewriters in his writing space and would jump from one project to another. I find this fascinating as I’m one of those stick-in-the-mud plodders who has to finish one task before starting another no matter how grim it makes me. Maybe I should take Bell’s advice and swap between revising one story, drafting a second, and brainstorming a third. At least I’d be able to take off those critic specs off now and then.
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The cover artists at Carina Press have woven their magic. I'm so thrilled to see my very first cover!
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I recently bought my first ereader. (Yes, I’m slow, what can I say?) After a lot of dithering, I finally bought the Sony Pocket Edition. I’m a bit miffed at having to pay $229 for it when it sells for US $180 in the US. Why do Australians have to pay so much more? Anyway, I know I could have got it for a lot less over the internet, and there are a lot cheaper ereaders out there, but I want to be able to take it back to a bricks-and-mortar shop if it breaks or doesn’t work.

So far I’m really happy with it. It’s light, easy to hold, and much nicer for reading than the PC. It’s also easy to prop up for hands free reading while you’re eating. Compared to a paper book you do a lot more page turns, and using the touch screen to turn the page can sometimes tire your arm if you’re a fast reader, so it’s handy to have the page turn buttons available. I find using the stylus a lot more comfortable, and I discovered that a cotton bud makes a perfect substitute stylus! (Also keeps the screen cleaner.)

 I’m still waiting for my local library to offer ebooks. Apparently only three libraries in NSW offer this service, so maybe I’m in for a long wait. (Or maybe I should move to Canberra)

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I went for a long walk this morning just to avoid writing a synopsis. Now I’m writing this blog and still putting it off. I don’t know what it is about writing a synopsis that makes just about any other task seem more urgent. Maybe it’s because it reminds me of school and writing those dreaded book reports. Maybe it’s because my synopses seem to turn out rather stodgy and indigestible because I tend to do a lot of ‘telling’ and not much ‘showing’.

Photo by Petit Brun
July has been a month of procrastinating. First, there were the school holidays to distract me. Then I lost a good few days staying up late watching Cadel Evans win the Tour de France. Now there’s someone to inspire me. I don’t know the first thing about cycling, but the sight of him hauling himself up those Alps, every mile of his struggle etched into his grimacing face, was riveting. I don't see myself taking up cycling, but perhaps Cadel will inspire me to tackle my own alp — my dreaded synopsis.
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My cover copy for WHEN HARRIET CAME HOME has recently been done. Here it is:

After ten years of exile, Harriet Brown is back in town. Things have definitely changed, but so has she. Now the confident owner of a catering business, she’s no longer the shy, overweight girl everyone – including her hot teenage crush - used to ignore. In fact, she’s determined to make peace with Adam Blackstone for her part in exposing his father’s secret affairs and corrupt behavior as Mayor.

But Adam has changed as well. No longer a pampered, rich pin-up boy, he just wants to re-establish his family’s good name. He reluctantly agrees to a truce with Harriet, and is surprised by how changed she is. He doesn’t want to be drawn to her, but he can’t seem to resist her allure.

As Harriet struggles to come to terms with her past, her adolescent infatuation with Adam morphs into something more serious… Will she ever be accepted again? Or will ancient history ruin the chance of a future full of possibilities?


The cover copy is done by the Carina Press acquisitions team, and I’m assuming they go off the synopsis I wrote. Considering how I loathe writing synopses, I’m full of admiration for the person who did my blurb.
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See no evil...
Photo by ucumari
These days becoming a published author comes with a non-optional side order of marketing and publicity. I’ve dreamed of being a writer, but I’ve never dreamed of being a salesperson. Frankly, I suck at selling. But numerous articles told me I should be developing an online presence even before my book is published. I cringed at the idea, but when I sold to Carina Press, I finally bit the bullet.

Having read all the advice on offer, I decided I would start out slow with just a blog/website. I wanted something relatively quick and easy to set up and maintain, and I wanted something cheap. I eventually chose Blogger over Wordpress. Wordpress has a cleaner look and heaps of templates, and I like how you can make it look more of a website than a blog. But I chose Blogger because:

No ads. To eliminate ads from Wordpress you have to pay a yearly fee.

Cost. To register a domain name through Wordpress and link it to your blog costs $17 per year, and $8 more to make it private. I got a private domain name mapping through Blogger for $10.

Customise. Blogger lets you fiddle with the HTML, whereas this is a paid upgrade for Wordpress.

I know other people have had problems with Blogger, but so far I’m happy. I’d love it if Blogger would let you have a home page that isn’t the blog page, and I’m hoping that this will come some time in the future.

I’m trying not to get too hung up on my stats. (My numbers are pathetic, BTW) I’m not trying to develop a blog following. My blog/website is a place where readers can see what I’ve written (fervently hoping I have more than just one book in me) and contact me.

For me setting up this blog has been quite a challenge. I’m not yet ready to tackle Facebook and Twitter yet. For the moment I’m happy to be a wimpy author.
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I didn’t have much time for reading this month, but some books that grabbed me were:

The Sandalwood Tree by Elle Newmark. A duet story set in India during two tumultuous periods — the Indian Rebellion in 1857, and Partition in 1947 — told through the lives of three women. I loved this book. The author captures all the beauty and mystery of India, and the details of life for Victorian women living in India are extremely evocative.

Agatha H and the Airship City by Phil & Kaja Foglio. A rollicking steam punk caper featuring Adventure! Romance! Mad Science! (according to the book flap). More of a YA book, I thought. Very funny at times and always entertaining.

I’m In No Mood For Love by Rachel Gibson. I don’t know why I enjoyed this contemporary romance so much, but I did. There were few fireworks in this story, just two likeable characters, both with relationship issues, gradually moving from dislike to like to lust, and ultimately to love. Believable and satisfying.

The Eight by Katherine Neville. A sprawling epic revolving around a mystical lost chess set, featuring a dizzying array of characters. Fast-paced lengthy story which sacrifices character depth for action, but still entertaining.

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Sending 
Photo by rayced
When is the right time to send your manuscript out into the world? After I’ve spent months slogging over initial drafts, nit-picking over editing rounds, checking every use of the word “gaze”, I find myself itching to submit the story.

Over time, I’ve learned it’s better to resist that temptation, and to let the whole story sit at the back of my mind and simmer for a while. But I’m impatient. And I feel I’m wasting time, not adding to the word count, not being a writer. But that simmering time isn’t unproductive. I know fresh ideas about my story will creep into my mind. Some will be big, but most will be little tweaks — a better adjective or verb, layering in some setting, using the five senses. It’s a bit like cooking a winter stew. You have to let your story simmer on the backburner for a while, add in a few seasonings — some pepper, parsley, maybe a bit of lemon rind. There are no short cuts to this slow cooking.

So I dither and fuss quite a bit before I make that plunge. It’s even worse if what I’m sending out is the result of a Revise & Resubmit. This happened to me a few months’ back when a senior editor sent me a detailed R&R letter. I must have read that revised manuscript until I got cross-eyed, until I wasn’t even reading the words anymore, they were so ingrained in my eyeballs.

But after a while I have to hit that send button. If I don’t, the story nags at me, taking up valuable thinking space which I should be devoting to the next piece of writing. It’s as if the characters won’t leave until I boot them out the door. I’ve done my best with them (at least, I think I have), and it’s time for them to venture out into the world.

And of course, when/if the rejection does come back, and I re-read my story and see all its flaws in crystal clear vision, invariably I thunk my head and say, “Of course! Why didn’t I see that before I sent it?”

Which just goes to show you, there’s never a right time to hit send.
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This month I’ve been using the RWA’s 50Kin30Days event to do a little experimenting. Up to now I’ve only concentrated on contemporary romance, so I thought this would be a good opportunity to flex my writing muscles and decided I’d try writing a steampunk novella. This has thrown up some interesting new challenges for me.
  •  Novella. I’ve never written a novella before. I initially aimed for between 20K and 30K, and I think I’ll end up with about 28K. Best-selling author Angela Knight has some good tips on how to write a novella.

  • History. My story is set in Victorian England, and I’ve never written a historical romance before. I enjoy reading historical, but I’m not so confident about writing them, especially when it comes to dialogue. I don’t want the characters to sound too modern, but neither do I want them sounding like stuffed shirts.

  • World building. A good steampunk story involves building a world filled with airships, aether, ray guns, and all sorts of inventions. The world building has to sound plausible, but it can’t occupy huge blocks of narrative (especially in a novella).

  • Steampunkery. To me steampunk has always been very visual, and it can be hard to get those visuals down in writing. It’s far easier to show steampunk in pictures than in words. I’ve read a few steampunk novels, and the best I’ve come across recently is Phil and Kaja Foglio’s Aagatha H and the Airship City. It’s actually based on their Girl Genius webcomic, so it’s also coming from a visual medium. Some book reviewers lament the book isn’t as good as the graphic novels, but I enjoyed the book even though I’d never heard of the webcomic.
So I’ve had a lot of new things to juggle, but I told myself what the heck. It’s a chance to try something outside the box, and I’ve actually loved it.
 

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If you’re a Stephanie Plum fan, you’ll know what I’m talking about. If you’ve never heard of her, you’ve got some new books on your TBR pile. I have to admit, I don’t read these books for their plots. I can’t even remember half of them (and yes, some of them are repetitive). I read them for the humour, the dialogue, the crazy characters, and the relationships. Yeah, mostly for the relationships.

With the latest book about to come out, I’ve started wondering how many more books Janet Evanovich plans to write. By my rough calculations Stephanie must be well past thirty-five by now. I love her zany adventures, but, like her long-suffering mom, I also want to see her settled down. I don’t want her to keep circling the same territory without making a decision.

After so many books it’s time to start wrapping things up, in my opinion. So how is Evanovich going to everyone happy? I want Stephanie to end up with Morelli, but there’ll be others who think Ranger is just too HOT to pass up. We can’t all be satisfied, can we?

The wrap up of a popular series can leave a bad taste if it’s not done properly, but my money’s on Evanovich pulling this off sometime in the future. In the meantime, I’m looking forward to Smokin’ Seventeen.
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I have a confession to make. I’m not into paranormal romance. Vampires, werewolves, shape-shifters, daemons...meh. Give me something grounded in reality, either contemporary or historical, not some made-up stuff about curses and full moons and silver bullets.

Or so I thought until I picked up Gail Carriger’s Changeless and decided I’d read it for its steampunk setting, even though it heavily featured vampires and werewolves. The author’s detailed world-building impressed me. I liked how she set out the rules and etiquette of vampire and werewolf society. Still, the story didn’t connect with me until right at the end. Suddenly I was hooked. (Spoiler alert!) When Woolsey throws out his pregnant wife and accuses her of infidelity, I had the perfect meaty romantic angst to sink my teeth into. I raced through the next book, Blameless, keen to know how this intractable problem would be resolved.

For me, romance puts that extra zing in a story. Without the romantic conflict, I wouldn’t have bothered reading the next book, but now I’m eagerly waiting for the next instalment. And without the romance I wouldn’t have bothered reading more paranormal stuff.

Now, I’m even getting story ideas involving werewolves. Yikes!
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I recently watched two Iraq war movies. Green Zone follows a US army officer on the hunt for WMD in the weeks just after the American invasion. The movie follows the classic three-act structure, with setbacks, rising conflict, and set-piece action at the climax. The main character is your classic hero. He’s brave, honest, persistent, and determined to do the right thing by the Iraqi people and the army.

The Hurt Locker follows the exploits of an army bomb disposal team. At first glance, this movie doesn’t seem to adhere to any kind of writing structure. The action moves from one situation to another without any noticeable plot. The main character isn’t that heroic. Yes, he risks his life every time he investigates a suspected bomb, but he’s a war-junkie, addicted to the adrenalin. He doesn’t follow orders, doesn’t seem to care about the rest of his team and puts them at risk through his recklessness. He doesn’t question why he’s there. In fact, in the end civilian life is just too boring for him.

Both movies are good, but THL resonated with me in a way GZ didn’t, and I think it’s all down to character. GZ takes an expansive view, focusing on the political and moral twists of the war, whereas THL zeroes in on one character and how he’s affected by the war. He’s a flawed character, but still a sympathetic one. Comparing these two films, I realised a viewer (or reader) will forgive a lot of things if the character gets to them. I’m not saying that’s the only ingredient in good writing, but I’m beginning to think it’s the most important.
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When Harriet Came Home is going through the final editing stages. I'm amazed at how much my editor has improved my story. Right now I'm busy filling in the Art Fact Sheet, which Carina will use to produce the cover.
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